Mong-Lan
From Argentine Tango: Observations While Dancing
4
of one mind
a hand languishes a foot metered cadenced danced
not to feel the other they divided us
what histories are kept sublunary
in secrets except to those who lingerof the stellar race lungs of steel linger for the abominable
knowledge fat across the hallwhat is an embrace?
an umbrella
~
traveling by body i am of many minds
walking gliding
hand that leads hand which signals
of four minds extolling air fire water earth & the fifth element
& the sixth
of seven minds
i enter the land of living
stroking tango’s locks
cool jubilous as snow
[enter the land of widows]
intruder idolatrous clutching smooth & clearmotions contingent on the solar plexus
~
how is the dance spiritual? the revolutions mimic the planetary revelations; communion with a higher force. a trust one puts into the music into the other into the other’s soul. a trust a blessing one puts into the tango unit. an entrancement through music, through body. minds clear, empty, listening to the music. separate entities, yet whole, dissolving into the higher force of the music.
~
the forgetting must come
(hypnotized images recollectionsby voice subterranean messages)
beauty broken
i am speculating on how i should live without things with less
i am reminded of the first manicure in the desert
the momentum of tendrils furled farlistening listen
~
step into the illogical entering
we can’t escape destiny
but always going towards
the gait of pursuance
a cherished embrace
locking of the hands
on what levels do you converse
~
when walking forward or backwards, the leader should place his feet where the follower’s was. this allows for continuity, equanimity, and balance. though the leader leads & the follower follows, in a sense the follower is followed by the leader. the leader must listen as well to the partner, listen to what she is suggesting. it is a conversation to which the two agree.
would you like to dance? meaning, do you agree to follow me?
yes.
~
from this chasm
red lights chaosyour embrace
is time-
lessyour space yawns
the years of
discarded
sirens
3 a.m. milongasthe oscillatory
foolish
the insanemake their way
into tangos
~
she raises her right hand to dance only when the man raises his. their heads touch lightly at the forehead. she caresses the floor with her foot, tracing circles, planetary movements, celestial motions. her dress is provocative, her heel 3 inches high. keeping her knees together tight, she follows the man’s signals, body and hands. moving in time with the music, moving in time with her partner’s movements, she waits, senses, moves and anticipates. she is always giving, like water over the earth.
to dance as if cutting a figure in the air, with a suit and tie, the man stands straight, sucks in his stomach, head held high. his moves are bold, legendary, quick, swift, slow, tender, gentle. he is the ballast upon which the woman leans. strong and balanced.
~
yet art is androgynous
you answered & came
pretending to be ordinary
taking on different roles
we’re doing all we can to prevent
disaster accept it
eyes gaping out of place & time
(this dance an equation
at best breathing)